After visiting Laurie Frick’s group show at Westbeth, an artist-friend whom I met at Yaddo, who’s interesting wall piece represented GPS movements through Brooklyn, I headed to the still curiously titled Haunch of Venison on West Twenty-First Street.
Two highlights were Patricia Piccinni’s stunningly odd merging of the hyper real and the unreal sculpture, “Eulogy,” and British painter Justin Mortimer’s large chilling photo-based dark painting—a highlight of the evening.
Sventa Deininger’s wonderful minimalist paintings at Marianne Boesky Gallery that seem to balance chance and a reduced craft were next on the way to fine art photography at ClampArt.
Amy Stein and Stacy Arezou Mehrfar teamed together for the show, “Tall Poppy Syndrome.” The photographs, created in Australia’s New South Wales during a month long trip in 2010, attempt to depict the supposed egalitarian approach to life Down Under, and contain a range of image types–landscape, portrait, et. all—and a variety of presentations—some prints were displayed in salon-style groupings, some as small framed prints, some intermingled with a several larger pieces.
These are long-exposure night photographs from a series made in Greenland in 2021 supported by…
“The Realm of the Dead: Capturing the Transformation of Helheim Glacier” Steve Giovinco Project Summary…
Project Summary I am seeking a Fulbright Fellowship for an interdisciplinary project focused on underrepresented…
The Netherlands: Night Landscape Photographs, Canals and Sky
AI and Artists? It’s Not What You Think… If you are old enough like me…
My planned 2024-2025 Fulbright Fellowship has a dual focus: capturing the lesser-known areas of Iceland…