Sometimes I find myself stuck with my art (and my life–but that’s another story). It can happen when applying for a grant, seeking a residency, or just feeling uncertain about what to do next. When this happens, I wander online for answers.

Wikipedia-ing is a favorite starting place and pastime, where I mostly aim for researching a curiosity. It might be a curious bit of information I noticed in a Tweet or Times article, such as the Golden Age of the Republic of Georgia or the language of East Greenlandic. Through other links, I follow bits that are of interest to me, arriving at a place completely unfamiliar to my starting point.

A parallel component of this exploration is Google Earth or Maps. As a visual person, maps have always been a powerful guide and I loved them as a child. When I find an article of interest, I then switch over to Satellite view of Maps to see what the place looks like–is the location near a river? Are there interesting features? Are there ruins or abandoned buildings? These could translate into possible interesting photographic sites for me. If there is further interest, I zoom in looking more deeply and follow literal paths–if there are any, and explore Street View.

In fact, I used this precise method to come up with my Greenland project.

For several years, I have craved distant photographic locations. I headed north of Vermont to Quebec, tracing the St. Lawrence River. Continuing further north and east, I discovered tiny Outports of Newfoundland and Labrador. But still looking to expand the night landscapes to new and ever more remote regions, I studied Google Earth and saw even more extreme were the islands of Iceland and Greenland. I remembered reading fantastic Icelandic sagas, so I considered the small nation as a destination. Yet when looking on Maps, I could see several roads crossing the island: remote but never more than a handful of hours away from a city. I decided to explore massive Greenland with the largest ice sheet in the northern hemisphere.

Google Earth really came in handy. While researching this and other online sources, I was intrigued to find such an extreme place. Satellite view provided a clear direction: the almost of Greenland was ice, making the edges the most likely option for travel.  Looking closer at the vast coast, I noticed one spot where a glacier was within hiking distance from an international airport–Narsarsuaq. This became a launching point for the arctic landscapes. This then became a major project and formed the basis for an initial grant–a second one to East Greenland will occur in August.

So explore–online first, since this often leads to IRL visitation.

Steve Giovinco

With over three decades of experience, Steve Giovinco's recently has created night landscape photographs made a sites of environmental change, particularly focusing on the transformative beauty of remote and challenging locations like Greenland. A Yale University MFA graduate, his career highlights include over 90 exhibitions and is a three-time a Fulbright Fellow semi-finalist.

Share
Published by
Steve Giovinco

Recent Posts

Guggenheim Fellowship Plan

“The Realm of the Dead: Capturing the Transformation of Helheim Glacier” Steve Giovinco Project Summary…

3 months ago

AI Misinformation and Photographing Sites of Climate Change

Project Summary I am seeking a Fulbright Fellowship for an interdisciplinary project focused on underrepresented…

3 months ago

Night Landscape Photographs: The Netherlands

The Netherlands: Night Landscape Photographs, Canals and Sky

4 months ago

Enhancing Your Art Practice with AI: A Simple Guide to Using ChatGPT

AI and Artists? It’s Not What You Think… If you are old enough like me…

10 months ago